20⅛ x 14⅛. After W. Artaud.
Dunkarton, Robert
5 x 4¼ Oval
Details of wages and salaries paid to College staff. Includes correspondence between the Steward and members of staff concerning aspects of their wages; Photocopy of insurance and salaries book detailing wages paid to staff, January 1930 - December 1931; Waiters wages and sundry payments, 1953-55;
Consists of reprints of a published lecture, articles and a published note (with R C Lewontin) about Biology, and a chapter on 'Science Policy, Research and the Universities' by Waddington (University of Edinburgh), with an envelope listing the contents.
Wachet auf [from Cantata BWV140], and Adagio from Pastorale, by J. S. Bach. Arranged by Peter Hurford for guitar and organ.
Bach, J. S."Wachet auf" by J. S. Bach [Cantata BWV 140] arranged for organ and brass (flügelhorn in Bb, Horn in F, two trombones) by Peter Hurford.
Full score (two photocopies) and parts for two trombones.
[Background research material for an oral history interview of Warren Weaver, for the Archive of Contemporary Biology at the Salk Institute].
Consists of a booklet on 'Mathematics and Philanthropy' (undated) by Weaver, an article entitled 'Why is it so important that science be understood?' by Weaver, and an interview of Weaver in 'Scientific Research'.
Includes photograph of Duckworth, c. 1900.
Correspondence of W. J. W. Potter with Herbert Schneider
Potter, W J MIncludes copy of order of service for memorial service in Chapel
Letter from Rev. William Anderton Smith (MA St John's College Cambridge) regarding a donation of £5 5s for the restoration of Great Wilbraham Church.
Smith, William AndertonConsists of a 4 page typescript briefly listing subjects to be included in the interviews.
Comprises material relating to a series of 12 radio interviews of Bronowski [broadcast 1974].
Director: David Swinson
Organist: Christopher Argent
Members of the choir are listed on the album sleeve.
Sopranos - Pamela Abbott, Ruth Bond, Audrey Dean, Lucy Dennis, Kathryn Floater, Robyn Goode, Anastasia Hall, Louise Hiley, Wilma MacDougall, Janet Orchard, Caroline Perkins
Altos - Graham Barton, John Blanchfield, Robert Marson, Rupert Preston Bell
Tenors - Aidan Cruttenden, Peter Davison, Christopher Dolby, Michael Howorth
Basses - James Baer, William Dazeley, Simon Lovell, John Neale, David Walder
Byrd - Ave verum corpus
Morley - Nolo mortem peccatoris
Howells -Like as the hart desireth the waterbrooks (Kathryn Floater, solo soprano)
Durufle - Tota pulchra es (Louise Hiley, solo soprano)
Bainton - And I saw a new heaven
Gibbons - O clap your hands together
Harris - Bring us, O Lord God
Lovell - Agnus Dei (Robyn Goode, Janet Orchard and Caroline Perkins solos)
Naylor - Vox dicentis: clama (Lucy Dennis, solo soprano and Aidan Cruttenden, solo tenor)
Half of an insurance voucher [split in half] shown at the Audit of 1846. Mentions the Sun Fire Office.
"Vor deinen Thron, tret' ich". BWV 668. By J. S. Bach with editorial additions and comments by Peter Hurford and completed by Stephen Daw.
Bach, J. S.Includes papers relating to Bawden's volunteering at St. Paul's Cathedral
Receipt for £1 5s 10d paid by Jesus College as "Volunteray" rate in the parish of Hemdon.
Risbridge UnionVoluntary in trio for organ. Registration: I Great (Flutes 8, 2). II Choir: Flutes 8, 2, Sesquialtera. III Swell: Principal 8. Pedal: Flutes 16, 8. (No key). First part: adagio (60 beats per minute). Second part: quasi allegro (80 beats per minute).
Hurford, Peter (1930-2019), British organist and composerContains postcard of description "R.2.26 - Letters of Steve Fairbairn (1862-1938) to P.N. Carpmael between 1929 and 1935"; letter from Alan Percival explaining why letters presented to Library; copy of Steve Fairbairn's memorial booklet; excerpt from "A History of Jesus College Cambridge".
The chorales used by Bach in his 'Eighteen' preludes (BWV 651-668). In Peter Hurford's handwriting.
Only 12 melodies of the chorales have been transcribed:
Vocal settings of chorales to go with 'the 18', edited in 1975 from various sources. Manuscript and photocopy of manuscripts by Stephen Daw. Contains:
Various notes including obituaries and correspondence with College.
Comprises: a "visual summary" for programme 9; notes on commentary ideas to accompany the visual summary from [Bronowski to David Paterson and Jo Marquand] (Dec 1970); notes on the content, Oak Ridge graphite reactor (2 Jun 1971) and high flux reactor (31 May-1 June 1971); an annotated sync to camera script for Down House (Kent) for programme 9/11; and transcripts of film syncs shot in Iceland, at Down House (Kent) and France.
Comprises: a "visual summary" for programme 8; notes on content (27 Nov 1970); handwritten notes (by Bronowski) on "Smithsonian: Joseph Priestley" (3 Jun 1971); an annotated sync to camera script for Priestley's laboratory; and transcripts of film syncs shot in the Smithsonian Institution Museum of History and Technology (3 Jun 1971), Stocker's Lock, Wedgewood showrooms, Young's Brewery (Wandsworth) and in France.
Comprises: a list of scenes (13 Dec 1970) and notes on the content (27 Nov 1970) for programme 7; annotated sync to camera scripts for Cambridge, Bern and Villandry; transcripts of film syncs shot on Prague bridge, in Cambridge (about Isaac Newton), in Bern (about Albert Einstein) and during a computer sequence in Canada; and transcripts of "commentary wildtracks" [intended to be synced with film but recorded separately].
Comprises: a "visual summary" for programme 6; notes on the content of programme 6 (27 Nov 1970); an annotated sync to camera script for Easter Island; handwritten notes by Bronowski on programme 6 (26 Mar 1971); and transcripts of film syncs (some annotated) shot on Easter Island, at the De Dondi Clock (4 Jun 1971), about the trial of Galileo, in Venice and Florence, and in the Vatican Archives.
Comprises: a "visual summary" for programme 5; notes on the content of programme 5 (27 Nov 1970); an annotated sync to camera script for Samos; and transcripts of film syncs (some with annotations) shot in Samos, the Alhambra, Toledo, and for a computer sequence in Canada.
Comprises: a "visual summary" for programme 4; notes on commentary ideas to accompany the visual summary from [Bronowski to David Paterson and Jo Marquand] (Dec 1970) and on special research to be done; notes on the order of programme 4; annotated sync to camera scripts for a laboratory, Alchemists' Cell and Walk, and Manchester; quotations about Francis Bacon and alchemists; transcripts of film syncs shot in the Smithsonian Institution Museum of History and Technology, an alchemist's cell, at Wieliczka, at the Rose & Crown in Ramsbottom, and about alchemists and Paracelsus.
Also includes a sync script and transcript for a sequence that was to be recorded at Machu Picchu, but was recorded in Tennessee because of weather.
Comprises: a revised "visual summary" for programme 3 (19 Jan 1971); notes on commentary ideas to accompany the visual summary from [Bronowski to David Paterson and Jo Marquand] (Dec 1970) and further notes on the content of programme 3; annotated sync to camera scripts for Canyon de Chelly, Rheims Cathedral and Watts Towers; handwritten notes by Bronowski on Machu Picchu (3-5 May 1971); transcripts of film syncs shot at Machu Picchu, Rheims, Henry Moore's House and the Watts Towers, and of a "wild track [intended to be synced with film but recorded separately] to cover the flight down into the Canyon de Chelly".
Comprises: a "visual summary" for programme 2; notes on commentary ideas to accompany the visual summary from [Bronowski to David Paterson and Jo Marquand] (Dec 1970); a list of general points about programme 2 (24 Nov 1970); annotated sync to camera scripts for "with (or about) the Bakhtiari, and in Jericho", Konarak and Sultaniyeh; handwritten notes by Bronowski on Jericho (2 Apr 1971) and Sultaniyeh (9-10 Apr 1971); transcripts of film syncs shot for an "ice age sequence" and a "Horseman sequence", and at Jericho, Afghanistan and Sultaniyeh.
Also includes research notes (some from Jim Specht) and source material on cultures around horses, wheat and the origins of agriculture.
Comprises: 1st, 2nd and 3rd (17 Dec 1970) draft sequences for programme 13; handwritten notes by Bronowski for his sync piece on Easter Island (26 Mar 1971); a transcript of a wild track [sound intended to be synced with film but recorded separately] for the beginning of programme 13; a sync script and transcript for a sequence that was to be recorded at Machu Picchu, but was recorded in Tennessee because of weather; and transcripts of film syncs shot in California, Easter Island, Ethiopia and Iceland.
Comprises: a "visual summary" for programme 12; and transcripts of film syncs (some annotated) shot in Mendel's Monastery at Brno (Czech Republic), Grosvenor gallery (5 Apr 1972), Vienna and during a computer sequence in Canada.
Comprises: a "visual summary" for programme 11; a note on content and research to be done for programme 11 from [Bronowski to David Paterson and Jo Marquand] (Dec 1970); further notes on programme content, and on [Leo] Szilard and Auschwitz; an annotated sync to camera script for Down House; transcripts of film syncs shot at locations including Gottingen and Auschwitz; and transcripts of wild track sequences [sound intended to be synced with film but recorded separately].
Comprises: a "visual summary" for programme 10; notes on commentary ideas to accompany the visual summary from [Bronowski to David Paterson and Jo Marquand] (Dec 1970); further notes on the content (2 Dec 1970); and transcripts (some annotated) of film syncs shot at Wieliczka, Mrs Bohr's apartment and the Bohr Institute in Copenhagen, Botlzmann's grave and Oak Ridge in Tennessee.
Comprises: a "visual summary" for programme 1; a note from Bronowski to David Paterson and Jo Marquand on the logical development of the programme and research to be done (9 Dec 1970); a list of general points about the programme (24 Nov 1970); annotated sync to camera scripts for La Jolla Shore, Ethiopia and Alta Mira Cave; transcripts of film syncs shot at La Jolla Beach (with some annotations), Altamira, Omo Valley and for a computer sequence; a note on references from Kathy [Verlander] (24 Jan 1972); and research material on the origins on man including a transcript of a lecture by Dr Michael Day.
Also includes: filming schedules and details of Bronowski's clothing for the series; a letter from Adrian Malone (21 Jan 1971) sending a list of filming locations and a brief note of what Bronowski was to say (included) for the whole series; a copy of a telegram from Adrian Malone about filming (23 Feb 1971); notes for Adrian Malone's meeting with Peter Robeck of Time-Life (21 Jan 1971) and notes on programme groups.
Comprises material mainly relating to Bronowski's "sync to camera" pieces filmed for 'The Ascent of Man' television series.
Consists of draft policies on visitors' expenses and seminars at the Salk Institute [written by John Hunt, Salk Institute Vice-President].
Consists of internal Salk Institute memoranda relating to compensation (payment) for Visiting Fellows to the Salk Institute, and a request form for payment to Professor H C Longuet-Higgins [a Visiting Fellow].
Publication of the Rede lecture given in 1941.
Comprises correspondence on invitations for Bronowski to visit and lecture at Virginia Polytechnic Institute and State University.
Photocopies of Violin sonata (facsimile), Praeludium for organ and Prelude and Fugue in C Major by J. S. Bach and a photocopy of handwritten text on Bach's BWV 1001-1006.
Bach, J. S.Printed work (London, 1657) by Geoffrey Watts, interleaved with ms. notes. [EEBO has a BL second edition with the title: A scribe, pharisee, hypocrite; and his letters answered, separates churched, dippers sprinkled: or, A vindication of the church and universities of England, in many orthodox tenets & righteous practices. Whereunto is added a narration of a publick dipping, June 26. 1656. In a pond of much Leighes parish in Essex, with a censure thereupon. By Jeffry Watts B.D. and Rectour of Much-Leighes. , London : printed for Edward Dod, at the Gun in Ivy Laine, and for Thomas Johnson, at the Golden Key in St. Pauls Church-yard, 1657.]
Album of views of the college and its individual buildings, compiled by Dr Freddy Brittain and bequeathed to the college by him in 1969.