Showing 23162 results

8th January 1796. Mending a [...], 3s; mending a coffee pot, 4s.
29th January 1796. Mending a pan, 5s; a silver top to a muffineer to pattern, 5s. Total 17s.
4th October 1796, received the above sum for Mr Sproson.
Signed by Endymion Lawson.

Paid £2 11s to Samuel Hill for 2 cruets to pattern, salting out bruises etc, silver dish, repair of silver castor boat from lodge, repair of 2 silver candlesticks, vegetable dish
Signed Samuel Hill

Received of the Master and Fellows of Jesus College. Sum of £4, 10s for 1,800 ounces of silver plate. Signed by H. Seale.

Asking Reverend Dr William French £33 10s 9d for 24 strong fiddle table spoons, engraving on each, and a deal box
Signed Arthur Sutton

Received £13 7s 6d from Dr. French for altering and making tops of silver castors, engraving tops of castors, taking out bruises, 2 dish covers, repairing 2 gravy spoons, a silver wine strainer, repair and adding silver to candlesticks, engraving silver dish cover, new glasses, silver decanter stands, regilding, and repairs.
Signed Thomas Wilson

Received of the Masters and Fellows of Jesus College. Paid £4 10s for 1,800 ounces of silver plates.

Bought of James Peters Watch maker, silversmith and jeweler St. Mary's street 3 doors from the Market Hill. Plate sold at the very lowest price for READY MONEY ONLY.
A silver inkstand for Dr. Fisher 10 pounds

Cambridge December 18, 1834
Received of the Rev. Dr. French the sum of ten pounds.

The Adelaide Festival Centre Trust presents Peter Hurford.
Programme:
Prelude and Fugue in G (BWV 541) - J. S. Bach.
Sonata in C minor (allegro, moderato, presto) - Giovanni Pescetti.
Tierce en Taille - François Couperin.
Toccata and Fugue in D minor (BWV 565) - J. S. Bach.
Berceuse from 24 pieces en style libre, opus 31 - Louis Vierne.
Choral No. 3 in A minor - Cesar Franck.
Interval
Trio Sonata No. 5 in C major (allegro, largo, allegro) (BWV 529) - J. S. Bach.
Fantasia in F minor (allegro, andante, allegro) (K608) - Wolfgang Amadeus Mozart.

Paid by Mr. Darby to James Bretherton £1 4s for engraving a dozen spoons with a crest and twenty four knives and forks.

"The silver coinage of the Henry IV-V period", by [Eric Harris], photocopy of typescript, nine pages of text on nine folios plus a four-page list of illustrations, undated by datable to after 1983 based on a bibliographical reference. The paper is unattributed but has "Eric Harris" written in pencil in the upper right corner of the first page.

18¾ x 12½

Includes notebook containing Arthur Gray's notes on the College silver, c. 1932; Photographic record of College silver collection containing photographs of each individual piece of silver except cutlery where only samples were photographed, c.1970;

Silva Ibérica de Música para Tecla de los siglos XVI, XVII y XVIII []Easy keyboard music of the 16th, 17th and 18th centuries from Italy, Portugal and Spain].
Edited by Macario Santiago Kastner.
Published by B. Schott's Söhne, Mainz.

Contents:

• Tiento para harpa u órgano. By Alonso Mudarra
• Himno a 3. By Antonio de Cabezón
• La Romanesca con cinque mutanze. By Antonio Valente
• Canção-Lied. By Yepes
• Verso de 8o tom por d-sol-re. By Fr. Agostinho da Cruz
• Obra de 6o tom. Tiento. By Lucas Puxol
• Galharda de 1o tom. Anonymous
• Xácara de 1o tom. Anonymous
• Xácara de 1o tom. Fr. Berm. eu de Olagué
• Partite sopra la Aria della Folia da Espagna. By Bernardo Pasquini
• Sonata. By Freixanet
• Allegro. By João de Sousa Carvalho
• Sonata para Cimbalo. By Fr. Manuel de Santo Elias
• Sonata de 1o tono (para clave o para órgano con trompeta real). By José Lidon

Comprises material relating to 6 lectures that Bronowski gave for the Silliman Memorial Lecture series at Yale, 1967.

Comprises typescript lecture notes [for use when lecturing] for all 6 lectures on 'The Origins of Knowledge and Imagination' which Bronowski gave for the Silliman lecture series at Yale University.

Comprises manuscript summary notes for Bronowski's 6 lectures on 'The Origins of Knowledge and Imagination' given for the Silliman Memorial Lectures at Yale University (1967). These notes are photocopies of Bronowski 4/3/11/2, with some additions.

Consists of a paper about television delivered at a seminar on 'The Meaning of Commercial Television' (Texas-Stanford Seminar at Asilomar, Apr 1966), and reprints of articles (most sent to Bronowski by the author and annotated as such), with an envelope listing the contents.

Inscribed "Bruno, from Gilbert, New York, 26 Sept 66, with admiration".

Typescript ' Conclusions' of Society meetings, so called to 7 Mar. 1950, thereafter 'Minutes' (but with no change in their summary style). The meetings were held a few times a year, at irregular intervals depending on the nature of business demanding attention

Typescript minutes of meetings, held a few times a year at irregular intervals, depending on the nature of business demanding attention. The style gradually becomes fuller than that in the preceding volume.

Comprises correspondence and related material on Bronowski delivering 'The New Philosophy of Biology' for the Society of the Sigma Xi (For the Encouragement of Scientific Research) - RESA (The Scientific Research Society of America) National Lecture tour in the Metropolitan area (New York and New Jersey, 10-21 Apr 1967).

Bronowski delivered the 'The New Philosophy of Biology' for the tour at the International Nickle Company (Sterling Forest), IBM (Yorktown Heights), Vassar College (Poughkeepsie), Texaco Research Center (Beacon), City College (of the City University of New York), Hofstra University (Long Island), Downstate Medical Center (State University of New York), ESSO Research and Engineering Company (Linden), Rutgers University (New Brunswick), and Adelphi University (Garden City, Long Island).

Also includes: timetables for Bronowski's lecture tour; a copy of a letter to Dr Arthur Shapiro (Downtown Medical Centre, New York) on whether animals dream (8 Jun 1967); and a "speaking engagement" information sheet [made for the file].

"Si c'est pour ôter la vie" by Dandrieu. Printed edition with voices marked for trumpets in D and arrangement of organ accompaniment by Peter Hurford.
Two copies (one with some incomplete additions, and the other with full organ accompaniment).

Comprises: typescripts notes for programme 9; shot lists with columns for "vision", "shot number", "JB sync and/or voice over" and "time"; and pages from sync to camera scripts cut and pasted (or typed) with shot numbers.

Also includes sync to camera scripts, and a transcription of a film sync shot at the Smithsonian Institution Museum of History and Technology for programme 8.

Comprises: typescripts notes for programmes; shot lists with columns for "vision", "shot number", "JB sync and/or voice over" and "time"; and pages from sync to camera scripts cut and pasted (or typed) with shot numbers.

Comprises: shot lists with columns for "vision", "shot number", "JB sync and/or voice over" and "time"; and pages from sync to camera scripts cut and pasted (or typed) with shot numbers.

Comprises a series of documents relating to the filming of programmes 4-9 and 11 of 'The Ascent of Man'.

"Short-cross coinage / Long-cross coinage", manuscript, nine unnumbered pages on nine folios (four pages on the short-cross coinage and five pages on the long-cross coinage), undated and unattributed, with two insertions. The manuscript may be the work of George Tatler (?), based on the calligraphy. If so and if related to Tatler's joint article with Ian Stewart on the Montrave hoard of long-cross sterlings in the BNJ, then the manuscript may be dated earlier, to about 1963; the approximate dating to c.1970 falls roughly at the midpoint in the series of correspondence between Ian Stewart and George Tatler. The first three pages, comprising most of the short-cross section, have cut-out line-drawings of the types affixed to the manuscript to show distinguishing features. The two insertions consist in cuttings from Seaby's Coin & Medal Bulletin (SCMB), loosely inserted – not affixed – into the manuscript at page four where the long-cross section begins, that show "distinguishing features" of the long-cross coinage and variations in the lettering for some characters.

Consists of a letter from Herbert Bailey (Director, Princeton University Press) about publication of lectures by Bronowski, sending books and asking Bronowski to suggest names to be included in a book of biographies of important thinkers, with a reply from Bronowski suggesting biographies to be included and stating he would send more names later.