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A man and an organ

A man and an organ. Videocassette taped on the 15th of November 1993.

Hurford, Peter (1919-1930) ), British organist and composer

A musical setting of appropriate sections of The Order of the Holy Communion (Series III) in the Church of England and of The Holy Eucharist (Second Service) in the Protestant Episcopal Church of the United States of America

A musical setting of appropriate sections of The Order of the Holy Communion (Series III) in the Church of England and of The Holy Eucharist (Second Service) in the Protestant Episcopal Church of the United States of America. For voice and organ. Keys: F major, D minor. Gloria, Responses to the Gospel, The Creed, Sursum Corda, Sanctus and Benedictus, The Acclamations [sic], The Final Ascription, Our Father, Agnus Dei (American use), Agnus Dei (English use), The Dismissal, Kyrie Eleison.

Letter from James H. Litton, general editor Hinshaw Music, asking Peter Hurford to produce a translation of Benedictuses Domine and Kyrie Pantokrator (copy of the texts included), dated December 30, 1976.

Hurford, Peter (1919-1930) ), British organist and composer

A new Bach organ work? [Broadcast concert]

Typewritten broadcast script by Walter Emery with handwritten notes by Peter Hurford for a broadcast concert at the Royal Festival Hall, pre-recorded on the 5th of February 1959 and transmitted on the 26th of February 1959.

Emery, Walter

A new variety of farthing of Edward III, by J. J. North

"A new variety of farthing of Edward III", by J. J. North, typescript (photocopy), two pages on two folios, undated but datable to no later than 1995 when the published version appeared in the British Numismatic Journal.

North, Jeffrey J.

A numismatic research centre: a proposal

"A numismatic research centre: a proposal", typescript, three pages on three folios (recto only), dated June 1963, unattributed, laying out a proposal to establish a Numismatic Research Centre in a university to support the study of numismatics mainly in Great Britain and Ireland, taking account of Continental material only to the extent that it affected British and Irish coinage. Initially, the proposed Centre will focus on the period from the 8th to the 13th century, with the chronological focus to be extended. The Centre will maintain an index on all relevant coins "with full numismatic details and photographs" and comprehensive subject library but no coin collection "except possibly a small one for teaching purposes". The proposal gives the rationale for the establishment of the Centre in a University context, delineates staff and space requirements, provides details about financing and outlines the anticipated costs in terms of initial outlay and annual running costs. On the last page, in the large lower margin, there is a manuscript evidently in the hand of Ian Stewart commenting upon the anticipated costs and querying the production of the index.

A photographic record of halfpence of the Henry IV-V period, by E. J. Harris and S. Laidlaw

"A photographic record of halfpence of the Henry IV-V period", by E. J. Harris and S. Laidlaw, photocopy of typescript, single page but incomplete (with succeeding page(s) missing), undated by datable to no later than 2000 when the published version of the paper appeared in the British Numismatic Journal.

Harris, Eric J.

A portrait in Jesus College

Wood engraving by C. G. Lewis. The subject is thought to be Grand Pensionary Cats, painted by Nicholas Maas. It is marked on the frame as a portriat of William Harvey.

A Prelude upon Nicaea

"A Prelude upon Nicaea" for organ. Metronome marking: 72 beats per minute.
Full draft in ink, and pencil sketch of a fragment in pencil.

Hurford, Peter (1919-1930) ), British organist and composer

A Programme Note: Bach, Death, and the Maiden

Programme notes [of an organ recital] "Bach, Death, and the Maiden" written by Richard Campbell.

Programme:

  • BWV 140 "Wachet auf, ruft die Stimme"
  • BWV 1046 "Brandenburg" Concerto No. 1 in F
  • Funeral Motets, BWV 226 and 118
  • Organ improvisation by JvdK
  • BWV 60: "Dialogus zwischen Furcht und Hoffnung", "Furcht, O Ewigkeit, du Donner Wort", "Hoffnung, Herr, ich warte auf dein Heyl"

Bach, J. S.

A Report on a Farm at St Giles

Property of the Master and Fellows of Jesus College in the University of Cambridge and occupied by Mr John Elliston on a lease for 8 years from October 10th 1853

A St. Cecilia's Festival Concert - 1961

A St. Cecilia's Festival Concert. Cathedral and Abbey Church of Saint Alban.
Combined Chorus of St. Albans Bach Choir and St. Albans Choral Society with St. Albans Orchestral Society.
Valerie Carnell, Soprano. John Noble, Baritone. Patricia Wilkins, Contralto. John Marvin, Tenor.
Conducted by Peter Hurford, Eric Anderson and Robert Lindsay.

Programme:

  • Magnificat (Antonio Vivaldi)
  • Passacaglia from 5th Symphony (R. Vaughan-Williams)
  • German Requiem (Johannes Brahms)

A St. Cecilia's Festival Concert - 1963

A St. Cecilia's Festival Concert. Cathedral and Abbey Church of Saint Alban.
Combined Chorus of St. Albans Bach Choir and St. Albans Choral Society with St. Albans Orchestral Society.
Marion Millford, Soprano. David Galliver, Tenor. Jean Allister, Contralto. Richard Standen, Bass. Peter Hurford, Organ.
Conducted by Eric Anderson and Robert Lindsay.

Programme:

  • Mass in C (opus 86) (Beethoven)
  • Laudate Dominum - a suite for organ (Peter Hurford)
  • Excerpt from Part 2 of the Dreams of Gerontius (Elgar)

A Trio for the Duchess

"A Trio for the Duchess" for organ in D major.

Hurford, Peter (1919-1930) ), British organist and composer

A Viking coin of an unknown bishop of Lindsey?, by Stewart Lyon

"A Viking coin of an unknown bishop of Lindsey?", by Stewart Lyon, copy of typescript, two pages on two folios (recto only), marked "Draft" and dated 31 January 2001, discussing the the inscription of an example of the sword coinage naming Sihtric, which, if considered as a retrograde legend, may be read as naming a Bishop Edmund.

Lyon, Colin Stewart Sinclair

Aborigines Jesuani

Dr Lynford Caryl's copy of Sherman's college history, with Caryl's notes and an appendix by him bringing the lists of Fellows down to 1747.

Aborigines Jesuani ... Sherman

  • JCCA/JCHR/3/1/1
  • Item
  • 1666-1746 (First date is approximate)
  • Part of College Archives

The first college history, with the full title: "Aborigines Jesuani sive Historia Collegii Jesu Adornata Studio Joannis Sherman Collegii Presidentis, Coll. Regin. Alumni." Includes a coloured frontispiece, the college arms, and text in an elaborate italic hand, gradually degenerating into a mixed hand. The last date in the original hand is 1666, except for Sherman's epitaph of 1671. Some of the lists of Fellows are brought down to 1746 by other hands.

Abraham

Played by Tony Gibbs. Coloured drawing of the costume; the actor's measurements; and a pencil sketch of the costume with notes

Absolute Assignment

Parties: (1) Jesus College (2) Reverend Isaac Leathes.

Absolute assignment of a lease of the Manor House and estate.

Absolute surrender (copy)

James Barton to the Revd William French in trust for Jesus College, surrender of that messuage called the Yield Hall, for £169.1.0.

Abstract

19¼ x 14⅜

Hambling, Maggie

Abstract of bills

Summary of work by Webster for Jesus College including post and rail fencing in New Square, work done in the courts, work done to gentlemen's rooms, work done to the Master's Lodge, journeys etc all for £107 5s 8½d.

Webster, J.

Abstract of bills

Summary of work done by Webster for Jesus College including payments for making gravel road on New Square etc, Master's Lodge, Gentlemen's Rooms, Courts, Fellows Stable etc, College kitchen, new gates in Master's stable yards, coal house, store room, harness house, building to cottages and coach house, painting stables etc. All for £384 10s

Webster, J.

Abstract of Licence

Abstract of the licence to be given by the lessors in the matter of the sale from Mt Robert Gray Bennett to Miss Amelia Briggs of a leasehold and messuage known as 91 Hills Road

Abstract of Mr Baghott's title to the advowson

Summary of the stages by which the advowson passed from the Earl of Scarborough to Thomas Baghott. With a query as to whether the purchase is safe. With a note in another hand, signed J. Ward, advising that the College should proceed with the purchase, 'considering how soon they will be disabled from making any such purchases'.

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