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Handwritten draft on English singing music.

Typewritten draft of a talk on English Church Music.

Typewritten copy of untitled paper about Bach.
2 pages.

"Lord, now lettest thou thy servant depart..." [Nunc Dimittis]. For voices and organ.

Letters from the Dean of St Albans Secretary and The Fraternity of the Friends of Saint Albans Abbey. Typewritten copy by Peter Hurford on his time at the Cathedral and about some building arrangements that should be done.

Handwritten notes on singing and playing Bach's organ works.

Typewritten copy of some notes on [notes on performance of Bach's concertos.
Some pages are handwritten by Peter Hurford, others are photocopies of handwritten notes by someone else, and other pages are typewritten notes by Peter Hurford.

Typewritten copy of some notes on interpretation.
1 page.

Two pages of handwritten notes on concert talks.

Typewritten and handwritten notes on instruments and organ playing.

Typewritten notes with handwritten comments on Bach's character.

"My help cometh from the Lord" and two other sketches for voice and organ.

"My soul doth magnify the Lord..." [Magnificat] for voice and organ [?]. Incomplete [the last bars of the piece are missing].

13½ x 10⅜

13½ x 10⅜

13½ x 10⅜

Describes the problem (as arising from former college servants becoming paupers) and an intention to proceed in accordance with the legal advice given. With a list of current paupers and amounts paid.

Agnus Dei for three voices written in treble, alto and bass clefs. Two short sketches on the reverse page. Sketch 2 with lyrics in German: two staves in bass clef. Sketch 3: four voices (soprano, alto, tenor, bass).

Handwritten draft on a lecture on the interpretation of Bach.

Typewritten paper on a critique about organist Carlo Curley.
It contains three newspaper articles on Carlo Curley.

Piece for voice and keyboard [?]. Arrangement by Peter Hurford. Key: B flat major.

Sketch of a piece for keyboard [?].

Piece for the organ in D minor.

Draft in pencil of a work for organ (9 pages).

"They reap not where they laboured..." [incipit] for voices and organ in E major.

Song for tenor and piano or organ. Lyrics: poem by A. E. Housman (1859–1936), taken from "A Shropshire Lad" (1896) "With rue my heart is laden". Key: G major.
On the reverse there is a draft of a song for voice and keyboard in ink containing lyrics, and at the end five bars written in pencil with a comment that reads: Dowland "I saw my lady weep" "English Ayres" (although the bars do not seem to be related with Dowland's piece).

"Holy spirit, make us strong..." for voices (soprano, alto, tenor, bass) in B flat minor.

Draft of what it appears to be three different pieces: "Full knee deep lies..." [Tennyson] for soprano, alto, tenor and bass (incomplete) in E flat major, metronome marking: 100 beats per minute; A piece for string quartet (violin I, violin II, viola and violoncello) in D minor; another work for string quartet in which, at the top left of the page it reads: "Last 11 bars of a fugue, introducing stretto on pedal points" in A minor; and a fragment of a full orchestral score in C minor [all the pieces might relate to the same work (?) or at least the vocal part with the orchestral (?)].

Fragment of manuscript for organ.

Sketch of a piece for keyboard [?].

Booklet containing several sketches. Some of them are transcriptions of J. S. Bach.

Untitled score for four organs, wind instruments (clarinets, horns) and timpani.
Anonymous. 18th Century.

Untitled. Anonymous Author, c. 18th century.
Full score (wind instruments, timpani and two organs).

Organ sketch in F major that ends at the end of the reverse page, which also includes a choral sketch in G major.

Work for voices and organ. Words by John Milton: [Hymn] "Let us with a gladsome mind". Key: E flat major. Metronome marking: minim=72.

Hymn for voices (soprano, alto, tenor, bass) and organ. "Our Father, by whose servants...". Key: E major.

Piece for keyboard in D minor.

"Et lux perpetua..." for three voices (alto, tenor and bass [?]).
On the reverse page there is a short sketch in pencil.

"God disclose, Gold a royal child proclaimeth..." for voices (soprano, alto, tenor, bass) and organ in B flat minor.

Drafts of two works. One for piano [?] in G major, and the other one a song "O saw ye Bonie Lesley..." [poem by Robert Burns] for tenor and keyboard in F major.

Choral sketches.

A total of 359 sherds (7265g) were recovered from unstratified deposits encountered in Trenches 1 and 2. This represents 57.3% of the total assemblage by count, and 57.4% by weight. As Table 2 demonstrates, a very similar range of fabrics are represented as were recovered from the stratified deposits discussed above. No vessels of inherent significance were identified.

A total of 359 sherds (7265g) were recovered from unstratified deposits encountered in Trenches 1 and 2. This represents 57.3% of the total assemblage by count, and 57.4% by weight. As Table 2 demonstrates, a very similar range of fabrics are represented as were recovered from the stratified deposits discussed above. No vessels of inherent significance were identified.