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Kept with the photocopy of a note enclosing the photo from the wife of the Master of Jesus College (which LP in turn annotated to send on to his relative, Ray).

Consists of a black and white photograph and an envelope from The Dorchester (Park Lane, London).

Photograph shows Jacob and Rita Bronowski and their 4 daughters (Lisa, Judith, Clare and Nicole).

Includes photographs of Bronowski with Sir Harold Hartley and others, a reception given by the Mayor of Cheltenham, and four colour photographs of the conference and open day.

Comprises a photocopy of Bronowski 1/5/5 with some poems on fax paper (where they had been excluded from the copy).

Comprises a copy of Bronowski 6/4/13/17, including notes, with a few annotations.

Also includes a carbon copy typescript of the essay with some annotations, and an order for reprints.

Includes articles by J D Bernal, W L Bragg, Léon Foucault and Wilhelm Konrad Röntgen.

Includes a poem written for Rita Bronowski [from Paris], 31 Oct 1946.

Most poems are untitled, but titled poems comprise: 'The Dejected Artist' (30 Dec 1939), 'Elegy for Ernst Toller' (Jun-Jul 1939); 'Madrid Triumph' (Mar 1939) and 'End of the Bull-Fight' (Feb 1939).

Contains photocopies of poems from the Bronowski's Christmas cards. There are no poems from 1941-1946, 1950 or 1959 present.

Photocopies and handwritten manuscripts of songs.

• Photocopy of "Canon for Mr. Saunders". Christmas 1939.
• "Jeanneton".
• "Celia learning on the spinnet" by John Mun (?). "Tom the Taylor" by Henry Purcell. "Once, Twice, Thrice" by Purcell. "Round on a well known text". "The King (Queen?) of Siam. Pauper Sum Ego (in a different handwriting).
• "Goodnight".
• A cach of nine parts in one by Jack a Nonn. Dr. Cooper. Brian Teo-Staggins.
• "Epitaph for 3 voices". Mr. Giardini.
• Henry Purcell. Byrd. Mozart.

Photocopy of piano score of the songs from the cycle 'Laurie's Songs', written in Laurence Picken's hand. Three copies.

First copy: individual songs are dated as follows -

The Jolly Shepherd 1.9.25

All That's Past 16-17 IX 29

The Faithless Shepherdess IX-29

Pleasure it is 19.XII.25

God's Likeness 17.VIII.30

May in the Greenwood 28.VIII.30

Labelled by LP as the 'Definitive version'.

Photocopy of piano score of the songs from the Walt Whitman cycle, written in Laurence Picken's hand. Comprises: Look down fair moon, Sometimes with one I love, No labour saving machine, Not heat flames up and consumes. (Doesn't include 'O Tan-Faced Prairie-Boy').

Two copies.

Photocopy of piano score, written in Laurence Picken's hand. The original (dated March 1936) was written on graph paper with the staves drawn in by hand, rather than on music manuscript paper.

Photocopy of piano score, written in Laurence Picken's hand. The three movements are Allegro, Largo and Allegro moderato.

Photocopy of piano score, written in Laurence Picken's hand. Two identical copies.

Photocopy of piano score, written in Laurence Picken's hand. Two identical copies.

Consists of a photocopy of 'The Ordinary Language Tree' by F Sommers (offprint from 'Mind: a Quarterly Review of Psychology and Philosophy', vol. LXVIII, no. 270, Apr 1959) inscribed "J Bronowski, 1964).

Correspondence of Philip Skingley, Associate Director of Spink, with Ian Stewart

Biographical information and other miscellaneous material relating to Philip Grierson.

Correspondence from Philip Grierson, with much of the early material, up to 1963, focusing on PG's collaboration with IS in book projects; the subsequent material focuses on a range of numismatic topics.

Correspondence of Julia Williams, Secretary to Ian Stewart MP, with Philip Grierson, on behalf of Ian Stewart

Manuscript and typescript papers of Philip Grierson without accompanying correspondence

Phantasie über den Choral "Wachet auf, ruft uns die stimme" für Orgel, Op. 52/2 [Fantasia on the Chorale "Wachet auf, ruft uns die stimme" for organ, Op. 52/2]. By Max Reger.
Published by Universal Edition.

Consists of a copy of a memorandum from William Glazier to Edwin Lennox about suggestions made by [Salvador] Luria for a meeting (6-7 May 1966) of Fellows of the Salk Institute and invited guests. Also includes a list of the invited guests.

Handwritten paper titled: "PH [Peter Hurford] on the Prelude and Fugue in E flat (BWV 552)".

One pewter plate with the College crest made by Roundhead Pewter

Peter Lombard's Sentences; M. R. James's no. 15. Rated "an unremarkable copy", with marginal notes in various hands. Bound at the front and back several Anglo-Saxon semi-palimpsest leaves originally containing a Durham version of Aelfric's Homilies; ff. 4-9 have been used for a 14-15C tract, "Cum summa teologice discipline diuiditur in duas partes".

A well-known work by Petrus Comestor; M. R. James's no. 5. The main text has decorated initials in red and blue; it ends in the chapter "de dyonisio areopagtia". There are two flyleaves taken from a 10-11C missal, beginning with part of the gospel for the Decollation of St John the Baptist and ending with collects and lessons for the feast of the Assumption.

A collection of tracts: M. R. James's no. 66. Contains: 1) Tropi magistri petri cantoris parisius; 2) Subtilis exposicio simboli traditi a beato anastio [=Athanasio]; 3) Exposicio parvi simboli s. laicorum, with Representacio temporum que finierunt ab inicio mundi usque ad finem [on two leaves which are missing]; 4) Sentencia dominice orationis exposita breviter nec non utiliter, ubi tanguntur .vii. peticiones prout comparantur .vii. donis spiritu sancti; 5) Sententia beati Roberti lincolniensis episcopi de fide et articulis fidei incipit; 6) Sententia sancti Roberti lincolniensis episcopi de confessione; 7) a tract with incipit: Debentes de vobis racionem bonam reddere; 8) Tractatus de penitentia brevis et utilis; 9) Tractatus de quatuor virtutibus cardinalibus; 10) Tractatus de sompno brevis; 11) Augustinus de assumptione B.M. V., ending imperfectly. There are five flyleaves from a ms. of similar form and date, the first four being the two middle sheets of a quire from a treatise on preaching.