Showing 5835 results

Born in Nottingham, 1909, Laurence Picken came up as a scholar to Trinity College, Cambridge, as a Natural Scientist and gained his PhD in 1935 in Zoology. He went on to work as an x-ray crystallographer at the Geneva School of Chemistry. In the early war years he was in charge of the blood transfusion laboratory for the eastern region, improving plasma filtration. The British Council later encouraged his learning Chinese so he could join Joseph Needham in Chungking in 1944, where his love of music extended to eastern instruments, and he learned the guqin (seven-stringed zither) among others. Throughout the rest of his life he would amass an extensive collection of musical instruments from all over the globe - when he moved out of his rooms in Jesus College in 1977 he donated his collection of nearly 700 instruments to the University of Cambridge Museum of Archaeology and Anthropology.
He first became a Fellow at Jesus College in 1945, continuing his work in the areas of Zoology, Oriental Studies and Music. He wrote entries on JS Bach, Chinese and Japanese Music for the Grove Dictionary of Music and Musicians. In 1960 he received the Linnean Society Trail Medal for Microscopy. A true polymath, he continued to compose and take an active interest in the musical life at College, was fluent in French, German and Chinese and refused to have a telephone until his late 80s.

His publications include:
'The Organization of Cells and Other Organisms' (1960)
'Folk Musical Instruments of Turkey' (1975)
ed. 'Musica Asiatica' (1977-84)
ed. 'Music from the Tang Court' 7 vols. (1981-2000)

Frederick Pickersgill was born in London on 25 September 1820, the son of Richard Pickersgill, a naval officer and amateur marine and landscape painter, and his wife, Anne Witherington, the sister of the painter William Frederick Witherington (1785–1865). His paternal uncle was the portrait painter Henry William Pickersgill (1782–1875), and his cousin Henry Hall Pickersgill (1812–1861) was also a painter.

Pickersgill received his first instruction as an artist from his uncle W. F. Witherington. He entered the Royal Academy Schools on 21 April 1840, having already exhibited a watercolour, The Brazen Age, at the Royal Academy in 1839. In 1843 he won a prize of £100 for his cartoon The Death of King Lear in the competition to decorate the new houses of parliament. In 1847 he won a first-class prize of £500 for The Burial of Harold, and the work was purchased for the houses of parliament for an equal amount. Pickersgill was elected an associate of the Royal Academy on 1 November 1847.

On 5 August 1847 Pickersgill married Mary Noorouz Elizabeth (1825–1886). Mary was the sister of the landscape and history painter J. C. Hook (1819–1907). The couple had one son.

Pickersgill exhibited fifty works at the Royal Academy between 1839 and 1875, of which the majority were subjects taken from literature, especially authors such as Spenser and Milton, religious subjects, and scenes from ancient history and the Italian Renaissance period.

Pickersgill seems to have experimented with photography. He also drew illustrations to various publications.

On 14 June 1857 Pickersgill was elected a full Royal Academician.

Pickersgill was commissioned in 1871, for a fee of £1000, to design a lunette fresco for the Victoria and Albert Museum on the subject The Industrial Arts in Time of Peace. He executed a full-size oil (V&A), but the fresco was never executed as a design by Frederick Leighton was later preferred. Pickersgill was elected keeper of the Royal Academy Schools on 10 July 1873 and served in this post until 3 August 1887.

Pickersgill's wife died on 21 June 1886, and on 7 February 1888 he retired from the Royal Academy. He spent the remainder of his life at The Towers, Yarmouth, on the Isle of Wight, where he died on 20 December 1900.