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Two letters: (1) From Gray, Son & Cook setting out the position with regard to the leases of 5, 7, 9 and 11 Station Road; (2) Letter from the Bursar to J. Carter Jonas & Sons with regard to the dilapidations to be paid on the above properties at the end of their leases

Architects drawing for air raid shelter showing cross sections, plan and elevation.

39 x 27⅛. One of a set of nine 'Largo to Presto'.

Piece for organ and voices. Incipit of lyrics: "For thee, O dear, dear country..." [Lutheran Hymn]. On the last page there is a choral piece: 10 4. 10 4. 10 10. ("Lead, birdly light, amid the enriching gloan").

Map showing section of King Street with properties and dimensions in red

Agreement to pay an increased rent as follows:
"In consideration of the College agreeing to enlarge the yard at the back of this House and to grant me a Right of Way, in common with others, from Fitzroy Lane over a gravelled pathway forming a backway, and providing me with a new W. C. I the undersigned [William Gawthrope] hereby agree to undertake to pay an increased rent at the rate of two pounds (£2) per annum as from Christmas next"

8 Variations in the manner of: J. S. B., G. F. H., R. S., E. E., R. V. W., G. G., ***, J. P. S., for two organs and percussion on a theme played by the Carillon of St. Albans Cathedral. By Gordon Jacob.
Handwritten score.

2 letters:

(1) 29 December 1933 from J. Carter Jonas & Sons to the Bursar advising him to accept the offer of £29 against the original claim of £31 17s. 6d. for dilapidations and stating that Mrs Haddock was living in the property with no formal agreement and asking if they should contact her and re let on the usual College terms.

(2) 10 January 1935 – from the Bursar to H. M. Inspector of Taxes confirming that on the expiry of the lease on No. 9 at Ladyday 1934 the property was let to Mr W. E. Haddock.

Letter concerning the lease of 69 and 70 King street [95-97]

Paid 9s 2d to Edward Bore for the University cryer and University marshall.

Paid 6s to George Dumbleton for gate. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £2 5s 3d to William Emery for carting and weeding. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £10 10s 6d to Thomas Field for "168 batt" (?) Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £9 12s to Jonathan Fisher for material to make tablecloths.

Paid £1 1s to Joseph Freeman for making the agreement and stamps for the lands at Tempsford. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £6 12s 6d to Richard Hall for fencing and hanging of a gate. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £31 14s 4 1/2d to Mr Raynes, received by Dickinson Hastall. For work at the Grove including: watering trees, tradesmen bills and ale.

Paid 4s 10d to Thomas Robinson for nails. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £1 11s 9d to Thomas Tansley for weeding in Tempsford new incloses. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid John Merrill for large folio paper book, pens and ink and putting boards on. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

Paid £3 18s to Thomas Tansley from William Embery Temsford for ditching and quick and backditching. Enclosed in paper band with other documents from JCAD/2/2/9/1780/83 to JCAD/2/2/9/1780/94.

A Child of our Time. Oratorio for soli, chorus and orchestra. By Michael Tippett (words and music).
Full Vocal and piano reduction score.
Published by Schott & Co. Ltd., London.

Cathedral and Abbey Church of Saint Alban. A Child of Our Time (Michael Tippett) and Ich Habe Genug (BWV 82. J. S. Bach).
Musicians: Sona Ardonz (soprano), David Lennox (tenor), Cynthia Bateman (contralto), Michael Rippon (bass), Hilary Davan-Wetton (harpsichord). St. Albans Bach Choir. The Jacques Orchestra (leader: Ivor McMahon). Conducted by Peter Hurford.

A concert given by The Aeolian Consort in Jesus College Hall on Tuesday 14th March 1961 at 9pm

"A contribution to the discussion about Renovatio Monetae", by Peter Sawyer, typescript, four pages on four folios (recto only), dated 20 May 1964, which takes "Stewart Lyon's interesting discussion of Renovatio Monetae in eleventh-century England" as its point of departure. There are some marginal annotations and, in the upper right margin of the first page, the following note in manuscript in pencil: "In v[ery] gr[eat] haste, Many thanks for the letter, Peter".

"A ditty for Karen". Song for voice and piano in D major. Lyrics and music by Peter Hurford.

A due Cimbali (1704). By Bernardo Pasquini.
Photocopy of a handwritten copy.

A copy of 'The Mining Electrical and Mechanical Engineer' journal containing an article by Bronowski on coal mining.

A Garland for the Queen. Music for the eve of Coronation Day. Royal Festival Hall.
Musicians: The Golden Age Singers (Directed by Margaret Field Hyde): Margaret Field Hyde, Elsie Suddaby, John Whitworth, Rene Soames, Maurice Bevan. William Parsons. Augmented choir of the Cambridge University Madrigal Society. A section of the Philharmonia Orchestra (Leaders: Manoug Parikian and Max Salpeter). Conductors: Anthony Lewis, Boris Ord, R. Vaughan Williams.
Organ: Garth Benson. Harpsichord: Thurston Dart.
Programme:
God Save the Queen
Round for four voices Allegra Anglia (Anon.)
Masque: The Vision of Britain, from King Arthur (conducted by Anthony Lewis) (Purcell)
Madrigals, from The Triumphs of Oriana (conducted by Boris Ord) (Purcell)
Fantasia for Double String Orchestra on a theme by Thomas Tallis (R. Vaughan Williams. Conducted by the composer)
Interval
A Garland for the Queen. Specially commissioned by the Arts Council of Great Britain
Anthem: The King shall rejoice (conducted by Boris Ord) (Handel)

30⅞ x 21⅜

List in ink, for various categories of correspondents; pencil notes on the reverse.

Number 8 in the Hogarth Letters series of publications.

23½ x 17¼

23½ x 17¼

31" high

A man and an organ. Videocassette taped on the 15th of November 1993.

A musical setting of appropriate sections of The Order of the Holy Communion (Series III) in the Church of England and of The Holy Eucharist (Second Service) in the Protestant Episcopal Church of the United States of America. For voice and organ. Keys: F major, D minor. Gloria, Responses to the Gospel, The Creed, Sursum Corda, Sanctus and Benedictus, The Acclamations [sic], The Final Ascription, Our Father, Agnus Dei (American use), Agnus Dei (English use), The Dismissal, Kyrie Eleison.

Letter from James H. Litton, general editor Hinshaw Music, asking Peter Hurford to produce a translation of Benedictuses Domine and Kyrie Pantokrator (copy of the texts included), dated December 30, 1976.