Showing 212 results

"Welcome Yule". Words: 15th Century. For voices and organ. in G major.

Magnificat. For voices and organ (incomplete draft).

Invitatory, prayers and suffrages for the choir of the Church of the Good Samaritan. Paoli, Pennsylvania. For voices (soprano, alto, tenor, bass) in G major.

Agnus Dei for three voices written in treble, alto and bass clefs. Two short sketches on the reverse page. Sketch 2 with lyrics in German: two staves in bass clef. Sketch 3: four voices (soprano, alto, tenor, bass).

Descant "Westminster Abbey" in B flat major and other unfinished sketches.

"Praise my soul". Arrangement by Peter Hurford for voice and organ [?] in D major.

Dedication "Truly the Lord is in this place..." for voices and organ in G major. "Glory to God in the brightest". Series 3: Gloria ending.

6 Chants for voices selected from many written between 1958 and 1978.

The Responses set for 4-6-part boys' voices.

"Lord, in this thy mercies' day" for voices (soprano, alto, tenor, bass). Arranged from E. H. 76 by Peter Hurford (tune slightly altered). Key: E minor.

Evening Service in A [major]. For voices (soprano, alto, tenor, bass) and organ.

Nunc Dimittis for voice and organ [?].

"My soul doth magnify the Lord..." [Magnificat] for voice and organ [?]. Incomplete [the last bars of the piece are missing].

"Lord, now lettest thou thy servant depart..." [Nunc Dimittis]. For voices and organ.

"O Mortal Man" (Words from the "Sussex Mummers' Carol"). Song for baritone and piano. Key: E minor - E major. Metronome marking: andante con motto.
Two drafts: one in ink and one in pencil.

"At the lamb's high feast we sing". Arrangement by Peter Hurford. Incomplete.

"My help cometh from the Lord" and two other sketches for voice and organ.

Sketch of a piece for keyboard [?].

Piece for the organ in D minor.

Sketch of a piece for keyboard [?].

"A ditty for Karen". Song for voice and piano in D major. Lyrics and music by Peter Hurford.

Music booklet with several songs: "Precamur Sancti Domini" for four voices (two altos, tenor and bass) in E major; "Te lucid ante terminum" for four voices (soprano, alto, tenor, bass) in B flat major; "Ha'nacker Mill", words by Hilaire Belloc for voice and keyboard in G minor; "O thou wert born to please me..." [incipit] for two voices and keyboard; "To stop the train..." [incipit] for voice in G major; "There once was a man..." [incipit] for voice in G minor.

"Victorian Love Song". Anonymous, arranged by Peter Hurford. Song for two voices in C major.

"In dulci jubilo". Words: anonymous, 1544, from DDT. I. xxxiv, p.8, for four voices (soprano, alto, tenor, bass) in A major.

"Es ist ein Ros entsprungen..." [incipit] for voice in E major.

Fugue for organ in D minor.

"Organ Estampie" for organ. Metronome marking: 116 beats per minute.

"The Upside Down Song" for voice and keyboard in G major. Number 27 of: 30 20th-century Hymn Tunes by Joseph Weinberger.

"Ha'nacker Mill". Words by Hilaire Belloc. For tenor and piano in G minor.
Two drafts: one in ink and one in pencil.

"The Enchantment". Words by Thomas Otway. Song for soprano and piano in A flat major.

Drafts of two works. One for piano [?] in G major, and the other one a song "O saw ye Bonie Lesley..." [poem by Robert Burns] for tenor and keyboard in F major.

Draft of what it appears to be three different pieces: "Full knee deep lies..." [Tennyson] for soprano, alto, tenor and bass (incomplete) in E flat major, metronome marking: 100 beats per minute; A piece for string quartet (violin I, violin II, viola and violoncello) in D minor; another work for string quartet in which, at the top left of the page it reads: "Last 11 bars of a fugue, introducing stretto on pedal points" in A minor; and a fragment of a full orchestral score in C minor [all the pieces might relate to the same work (?) or at least the vocal part with the orchestral (?)].

Two songs set to Anonymous 16th Century Words for voice and keyboard. 1. "Balow" in B minor (metronome marking: 104 beats per minute). 2. "The Knight of the Grail" in C major (metronome marking: dotted crotchet = 80).

"Come live with me", words by Christopher Marlowe, for soprano and keyboard in G major.

"Joseph Dearest, Joseph Mine", accompaniment arranged for four hands in E flat major.

"O Mortal Man, remember well", words traditional, for four voices in E minor.

Piece for keyboard in D minor.

"Christ hath a garden", words by Isaac Watts, revised by Robert Bridges. For four voices (soprano, alto, tenor, bass) in C minor.

Draft in pencil of a work for organ (9 pages).

"The Holy Son" (A Christmas Carol), words by Henry More (1614-1687) for unaccompanied voices (soprano, alto, tenor, bass).

"When I lie within my bed..." [incipit]. Oxford Easy Anthems E 164 for voices (soprano, alto, tenor, bass) and organ or piano in E major.
There is one loose page with some additional bars and a photocopy with the last page of the manuscript that includes an alternative ending for the last two bars.

"Scherzo" for organ manuals only. [From the Suite for organ "Laudate Dominum"]. Metronome marking: minim = 120.

"Scherzo" from the Suite for organ "Laudate Dominum", Metronome marking: minim = 120. "Ein' feast Burg" No. 2 [2nd. set] for organ. Incomplete draft of "Nun Danket alle Gott".

D. J.'s Fancy for organ [?] in D major.

Bristol Suite for organ in D major. I: [untitled], II: Contra, III: Dance, IV: Division, V: Ground, VI: Epilogue.
There are two loose sheets ( one manuscript, one a photocopy with some rewriting in green ink) containing a re-layout of bars 18 to 24 of V: Ground.

"Paean" for organ in A major. Metronome marking: 112 beats per minute.
Two drafts: one complete in ink, and one incomplete in pencil.

"Two Dialogues" for Organ. No. 1 (metronome marking: 84 beats per minute) and 2 (metronome marking: minim = 76) in G major, written in ink. Dialogue 1 (in pencil, different from Dialogue 1 in ink) and Dialogue 2 (in pencil, the same as Dialogue 2 in ink).

Firts Item: First two pages: Fugue in E minor (Chromatique!) for piano (?). Metronome marking: Andante espressivo.
Pages 3 and 4: Exposition and first middle entry group of FRCO fugue for String Trio (violin, viola and violoncello).
Second Item: Fugue in E minor (another hand written version of the first pages of the First Item with minor variations).

"Passingala" (Op. 8) for organ.

"Come, love we God" A Carol for Soprano, Alto, Tenor and Bass choir or a choir of boys or girls only. Words: Shann MS (1611). In F major. Metronome marking: 120 beats per minute.