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What care I? (with apologies to John Dowland)
Part of Personal Papers
"What care I" (with apologies to John Dowland) for voice and keyboard in A minor. Lyrics by George Wither (1588-1667). Metronome marking: 84 beats per minute.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Welcome Yule". Words: 15th Century. For voices and organ. in G major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Wedding Responses" for voices in B flat major. On the reverse of the page there is a draft in pencil (of other wedding responses?).
Hurford, Peter (1919-1930) ), British organist and composer
We haven't the time to take our time (Eugene Ionesco - from Exit the King)
Part of Personal Papers
Typewritten paper titled: "We haven't the time to take our time (Eugene Ionesco - from Exit the King)" commenting Hurford's touring experience.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Wassail Song" (Oxford Carol Book 15), arranged by Peter Hurford. For two voices and piano or organ.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Descant arrangement. Key: B flat major
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Voluntary in trio for organ. Registration: I Great (Flutes 8, 2). II Choir: Flutes 8, 2, Sesquialtera. III Swell: Principal 8. Pedal: Flutes 16, 8. (No key). First part: adagio (60 beats per minute). Second part: quasi allegro (80 beats per minute).
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Victorian Love Song". Anonymous, arranged by Peter Hurford. Song for two voices in C major.
Hurford, Peter (1919-1930) ), British organist and composer
Variations on "Tempus adest floridum" for organ pedal solo
Part of Personal Papers
Variations on the carol "Tempus adest floridum" for organ pedal solo in A major. Metronome marking: 96 beats per minute.
Two copies with minor variants: manuscript (in pencil) and photocopy with pencil annotations.
Hurford, Peter (1919-1930) ), British organist and composer
Variations on "Tempus adest floridum"
Part of Personal Papers
Variations on "Tempus adest floridum". In A major (metronome marking: ca. 96 beats per minute) (pages 14-15).
Piece included in the book: "Pedals only : 13 Studien zeitgenossischer Komponisten = Pedals only : 13 studies by contemporary composers". Published by Universal Edition, Vienna.
Contents:
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Handwritten notes in pencil.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [speech for a gathering regarding the preservation of a church]
Part of Personal Papers
Speech for a gathering regarding an organ restoration and preservation of the church in Stansfield [?].
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [some notes on the organ]
Part of Personal Papers
Typewritten and handwritten notes on the organ.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [on English singing music]
Part of Personal Papers
Handwritten draft on English singing music.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [on English Church Music]
Part of Personal Papers
Typewritten draft of a talk on English Church Music.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Typewritten copy of untitled paper about Bach.
2 pages.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Lord, now lettest thou thy servant depart..." [Nunc Dimittis]. For voices and organ.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [notes on some arrangement done at St Albans Cathedral]
Part of Personal Papers
Letters from the Dean of St Albans Secretary and The Fraternity of the Friends of Saint Albans Abbey. Typewritten copy by Peter Hurford on his time at the Cathedral and about some building arrangements that should be done.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [notes on singing and playing Bach's organ works]
Part of Personal Papers
Handwritten notes on singing and playing Bach's organ works.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [notes on performance of Bach's concertos]
Part of Personal Papers
Typewritten copy of some notes on [notes on performance of Bach's concertos.
Some pages are handwritten by Peter Hurford, others are photocopies of handwritten notes by someone else, and other pages are typewritten notes by Peter Hurford.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [notes on interpretation]
Part of Personal Papers
Typewritten copy of some notes on interpretation.
1 page.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Typewritten and handwritten notes on instruments and organ playing.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled ["My help cometh from the Lord" and other sketches]
Part of Personal Papers
"My help cometh from the Lord" and two other sketches for voice and organ.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"My soul doth magnify the Lord..." [Magnificat] for voice and organ [?]. Incomplete [the last bars of the piece are missing].
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Agnus Dei for three voices written in treble, alto and bass clefs. Two short sketches on the reverse page. Sketch 2 with lyrics in German: two staves in bass clef. Sketch 3: four voices (soprano, alto, tenor, bass).
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [A lecture on the interpretation of Bach]
Part of Personal Papers
Handwritten draft on a lecture on the interpretation of Bach.
Hurford, Peter (1919-1930) ), British organist and composer
Untitled [a critique on organist Carlo Curley]
Part of Personal Papers
Typewritten paper on a critique about organist Carlo Curley.
It contains three newspaper articles on Carlo Curley.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Piece for voice and keyboard [?]. Arrangement by Peter Hurford. Key: B flat major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Sketch of a piece for keyboard [?].
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Piece for the organ in D minor.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Draft in pencil of a work for organ (9 pages).
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"They reap not where they laboured..." [incipit] for voices and organ in E major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Song for tenor and piano or organ. Lyrics: poem by A. E. Housman (1859–1936), taken from "A Shropshire Lad" (1896) "With rue my heart is laden". Key: G major.
On the reverse there is a draft of a song for voice and keyboard in ink containing lyrics, and at the end five bars written in pencil with a comment that reads: Dowland "I saw my lady weep" "English Ayres" (although the bars do not seem to be related with Dowland's piece).
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Holy spirit, make us strong..." for voices (soprano, alto, tenor, bass) in B flat minor.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Draft of what it appears to be three different pieces: "Full knee deep lies..." [Tennyson] for soprano, alto, tenor and bass (incomplete) in E flat major, metronome marking: 100 beats per minute; A piece for string quartet (violin I, violin II, viola and violoncello) in D minor; another work for string quartet in which, at the top left of the page it reads: "Last 11 bars of a fugue, introducing stretto on pedal points" in A minor; and a fragment of a full orchestral score in C minor [all the pieces might relate to the same work (?) or at least the vocal part with the orchestral (?)].
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Organ sketch in F major that ends at the end of the reverse page, which also includes a choral sketch in G major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Work for voices and organ. Words by John Milton: [Hymn] "Let us with a gladsome mind". Key: E flat major. Metronome marking: minim=72.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Hymn for voices (soprano, alto, tenor, bass) and organ. "Our Father, by whose servants...". Key: E major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Sketch of a piece for keyboard [?].
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Booklet containing several sketches. Some of them are transcriptions of J. S. Bach.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Piece for keyboard in D minor.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Et lux perpetua..." for three voices (alto, tenor and bass [?]).
On the reverse page there is a short sketch in pencil.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"God disclose, Gold a royal child proclaimeth..." for voices (soprano, alto, tenor, bass) and organ in B flat minor.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Drafts of two works. One for piano [?] in G major, and the other one a song "O saw ye Bonie Lesley..." [poem by Robert Burns] for tenor and keyboard in F major.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Choral sketches.
Hurford, Peter (1919-1930) ), British organist and composer
Two songs set to Anonymous 16th Century Words. 1. Balow. 2. The Knight of the Grail
Part of Personal Papers
Two songs set to Anonymous 16th Century Words for voice and keyboard. 1. "Balow" in B minor (metronome marking: 104 beats per minute). 2. "The Knight of the Grail" in C major (metronome marking: dotted crotchet = 80).
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Two Sentences from an Order for Holy Communion Series 3 for SATB (soprano, alto, tenor, bass) with divisions and Organ. I: "Truly the Lord is in this place", in G major. II: "Through Christ Jesus", in G major (metronome marking: minim = 64).
Published by Novello & Company Limited.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Two Dialogues" for Organ. No. 1 (metronome marking: 84 beats per minute) and 2 (metronome marking: minim = 76) in G major, written in ink. Dialogue 1 (in pencil, different from Dialogue 1 in ink) and Dialogue 2 (in pencil, the same as Dialogue 2 in ink).
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
Two Dialogues. For Organ. (in G).
I (metronome marking: 84 beats per minute). II (metronome marking: minim = 76).
Published by Novello & Company Limited. In the series: Novello's Organ Music Club (NOMC) No. 32.
Hurford, Peter (1919-1930) ), British organist and composer
Part of Personal Papers
"Two Carols for Equal Voices". I: Blake's cradle song. For female voices and keyboard in Bb flat major (metronome marking: 66 beats per minute). II: Come, love we God! For solo or semi-chorus. Words from Shann MS (16th century). In F major (metronome marking: 120 beats per minute).
Published by Basil Ramsey, publisher of music.
Hurford, Peter (1919-1930) ), British organist and composer